Contemporary Hong Kong Cinema

Interrupted Dream 2021

Interrupted Dream 2021
Dir. Danny Yung, John Wong
Hong Kong 2021, 8’
Subtitles: English


In 2021, the pandemic certainly affected our society, our culture, especially our culture of communications, and invoked our deep reflection on art and the development of our society. That presented us opportunities to carry out dialectic discourses on our experimentation and its creative process, as well as allowing us to examine the very nature of art, which includes the evaluation of the virtuality and the realness in the context of the present technological advancement. The pandemic reminds us of the disconnection between our developed society and its respective environmental ecology, so much so that the health and education systems are not on par with our needs in reality.  The interactions between the system and technology become an important issue.


Danny Yung

An experimental art pioneer and one of Hong Kong’s most influential artists, Yung is a founding member and co-artistic director of Zuni Icosahedron. In the past 40 years, Yung has been working extensively in diverse fields of arts, including theatre, cartoon, film, video as well as visual and installation art.

Yung has been involved in over 100 theatre productions as director, scriptwriter, producer and/or stage designer. His theatre works were staged in multiple cities across the world. In 2008, in response to a commission from the Hong Kong Arts Festival, he created Tears of the Barren Hill, a theatre work reflecting on the innovation of traditional Chinese theatre and the institution of cultural exchange, which earned him the Music Theatre NOW Award of the International Theatre Institute (ITI). In 2010, at the Shanghai Expo, Yung, in collaboration with the renowned Japanese theatre director Satō Makoto, showed The Tale of the Crested Ibis, a cultural exchange project which combined, for the first time, elements of noh and kunqu theatres as well as traditional arts and cutting-edge (robot) technology. The annual Toki Festival, curated by Yung since 2012, develops the concept of the Crested Ibis, or Toki, in an effort to enrich young kunqu performers’ experience and promote exchanges between contemporary and traditional performing arts in Asian regions.

The artist keeps a close eye on the arts and cultural policy and on education development in Hong Kong and the Asia-Pacific region. He currently serves as chairman of the Hong Kong–Taipei–Shenzhen–Shanghai City-to-City Cultural Exchange Conference and a member of the Design Council of Hong Kong. He was also appointed the inaugural Dean’s Master Artist in Drama of the Hong Kong Academy for Performing Arts in 2013, and he on the Management Board of the HKICC Lee Shau Kee School of Creativity and the advisory boards of the Department of Cultural Studies of Hong Kong’s Lingnan University and the School of Drama of the Hong Kong Academy for Performing Arts.

In 2009, Yung was awarded the Cross of Merit of the Order of Merit of the Federal Republic of Germany in recognition of his achievements and contributions to cultural exchanges between Germany and Hong Kong.

Filmography

1998 Memorandum of the Rock (short)
2003 In Search of Modern China (short)
2009 Interviewing Danny Yung (short)
2011 Spirits Play (short)
2021 Interrupted Dream 2021 (short)